Everything can change in one day.

Rachelle, a 17-year-old girl living outside of New York City, discovers this, riding her skateboard through a journey of self-discovery. Intimidated by casual, macho sexism, Rachelle stumbles across a gang of charismatic, fearless skater girls. They show her another world is out there. A world of female friendship, strength and belonging. “Today,” confesses Rachelle “is the first day that I haven’t been feeling that sense of loneliness.”

That One Day, by American director Crystal Moselle, is the 12th commission from Miu Miu Women’s Tales, the acclaimed short-film series by women who critically celebrate femininity in the 21st century.

Crystal Moselle’s debut, The Wolfpack, about a family who home schooled and raised their seven children in the confinement of their apartment in the Lower East Side, won the U.S. Documentary Grand Jury Prize at 2015’s Sundance Film Festival. Moselle also made the viral video sensation Shapeshifting, on a pack of 14-year-old ballerinas.

“I am in love with the transformation stage in a girl’s life,” says Moselle, “when they are not quite a girl but not quite a woman.” That One Day renders this moment as a tender daydream -ardently feminine skaters in serene slow-mo- which isn’t afraid of the tough truths facing young women. “When I was in my transformation stage,” Moselle reveals, “as a young girl, Miu Miu was a big part of that story.”

Photos by Brigitte Lacombe

Women's Tales archive

1

《化妆间》(The Powder Room)
女人故事 #1

by Zoe Cassavetes

2

木塔(MUTA)
女人故事 #2

由導演盧奎西亞‧馬特爾(LUCRECIA MARTEL)執導 

3

「女性服裝」
女人故事 #3

由Giada Colagrande執導

4

「天色已晚」
女人故事 #4

由 Massy Tadjedin 執導

5

#5 「門」
女人故事 #5

由Ava DuVernay執導

6

《LE DONNE DELLA VUCCIRIA》
女人故事 #6

由希安‧阿巴斯執導

7

「Spark and Light」
女人故事 #7

by So Yong Kim

8

「Somebody」
女人故事 #8

由Miranda July執導

9

「De Djess」
女人故事 #9

by Alice Rohrwacher

10

"Les 3 Boutons"
女人故事 #10

by Agnès Varda

11

「種子」
女人故事 #11

由河瀨直美導演

13

Carmen
女人故事 #13

directed by Chloë Sevigny

14

(The [End) of History Illusion]
女人故事 #14

directed by Celia Rowlson-Hall